Michael Wang uses systems that operate at both regional and planetary scales as media for art, addressing climate, ecology, extraction and capital. His works include Extinct in the Wild, a project that engages species that no longer exist in nature but persist under human care; 10000 li, 100 billion kilowatt-hours, a work that harnessed Shanghai’s hydropower-fueled electric grid to create a frozen facsimile of the glaciers at the origin of the Yangtze river; First Forest, a living replica of a Carboniferous forest installed in a disused coal-gas plant; and Carbon Copies, an exhibition linking the production of artworks to the release of greenhouse gases--envisioning all artists as "air artists."